The International Academic Forum (IAFOR) is a research organisation, conference organiser and publisher dedicated to encouraging interdisciplinary discussion, facilitating intercultural awareness and promoting international exchange, principally through educational exchange and academic research.
Virtual presentations afford authors the opportunity to present their research to IAFOR’s far-reaching and international online audience, without time restrictions, distractions or the need to travel. Presenters are invited to create a video of their presentation, which is then uploaded to the official IAFOR Vimeo channel and remains online indefinitely. This is a valuable and impactful way of presenting in its own right, but also an alternative means for those delegates who may be unable to travel to the conference due to financial or political restrictions. The same publishing opportunities apply to virtual presenters, with final papers being included in the EuroMedia Conference Proceedings.
This video archive is best viewed on a desktop computer with a strong Internet connection.Journalism
60130
Form, Genre, Experiment – the Structure of the Radio Art
Natalia Kowalska-Elkader, University of Lodz, Poland
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Literature/Literary Studies
60254
‘Climate Fiction Narratives’: A Study of Maja Lundes Novels – The History of Bees and The End of the Ocean
Mega J Pandya, Manipal Institute of Communication, India
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Advertising, Marketing, & Public Relations
60653
Website Advertisement: Examining the Effect of Interactivity and Curiosity on Consumers’ Cognitive Absorption and Knowledge Acquisition
Jinhee Seo, University of Oklahoma, United States
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Critical and Cultural Studies, Gender and Communication
60624
No City for Fatal Women: Gender, Power, and Noir Convention in Marvel’s Jessica Jones
Karen Dellinger, National Taiwan University, Taiwan
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Digital Media and Use of New Technology in Newsgathering
59700
New Technologies, Boundless Interactivity in the Digital Era and the Transformation of Newsgathering in Nigeria: Evaluation of Fake News Theory
Joseph Wogu, University of Nigeria Nsukka, Nigeria
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Film Criticism and Theory
60148
The Debt of Roy Anderson’s Dark Humor to Samuel Beckett and the New Objectivity
Simin Dolatkhah, University of Tehran, Iran
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Law, Policy & Media Ethics
59931
Contributions of Media Consumption, Media Type, and Media Genre to Polarizing Perceptions of Foster and Adoptive Care
Leslie Ponciano, Hope Education Research Solutions, United States
Noah Nash, Peace4Kids, United States
Zaid Gayle, Peace4Kids, United States
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Mass Communication
60506
"Middle American Miserabilism”: Charting the Feel Bad Genre in Recent HBO Mini-series
Margaret Tally, State University of New York, Empire State College, United States
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Media History
59886
Using Newspapers and Films as Tools for Cultural History Research
Mara Arts, Independent Scholar, United Kingdom
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Social Media and Communication Technology
59944
The Use of Emotional Artificial Intelligence in Social Network Journalism: Possibilities and Limits of a New Communication Paradigm
Luca Serafini, Lumsa University of Rome, Italy
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Social Media and Communication Technology
60042
Digital Game Habits and Motivations of Youth in The Context of Uses and Gratifications Approach
Fatih Söğüt, Kırklareli University, Turkey
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Social Media and Communication Technology
60259
Children’s Motivation for Digital Media Use
Vanesa Varga, Catholic University of Croatia, Croatia
Marina Kotrla Topic, Institute of Social Sciences Ivo Pilar, Croatia
Sara Jelovcic, Catholic University of Croatia, Croatia
Marina Merkas, Catholic University of Croatia, Croatia
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Social Media and Communication Technology
60707
Art and Self-expression on Social Media: The Recreation of the Historical Value During the Pandemic State in 2020
Paula Pires da Silva, University of Sao Paulo, Brazil
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Visual Communication
59611
Communicating Artificial Intelligence to Young Audiences: The Techno-ambivalence of Young People’s Science Fiction Film and Television
Abby Kidd, University of East Anglia, United Kingdom
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Aesthetics, Design
60246
Mnemosphere: An Interdisciplinary Research Between Memory of Places, Emotions and Atmosphere of Space
Clorinda Sissi Galasso, Politecnico di Milano, Italy
Marta Elisa Cecchi, Politecnico di Milano, Italy
Ingrid Calvo Ivanovic, Politecnico di Milano, Italy
Ambra Borin, Politecnico di Milano, Italy
Claudia Mastrantoni, Politecnico di Milano, Italy
Martina Scagnoli, Politecnico di Milano, italy
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Arts - Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media
59651
Personal Branding on Instagram: The Challenges Encountered by Saudi Women Exercisers
Wesam Basabain, King Abdulaziz University, Saudi Arabia
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Arts - Media Arts Practices: Television, Multimedia, Digital, Online and Other New Media
60204
The Impact of Snapchat Beautifying Filters on Beauty Standards and Self-image: A Self-Discrepancy Approach
Rania M. Alsaggaf, University of King Abdul Aziz, Saudi Arabia
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History/Historiography
60491
The Attitude of Resistance Press Towards Greek Women Who Were Involved With the Enemy
Georgia Eglezou, Panteion University, Greece
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Language, Linguistics
60185
A Comparative Analysis of Romeyka and Turkish Personal Experience Narratives
Gülsüm Aydın, Boğaziçi University, Turkey
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Literature/Literary Studies
60407
"There Is Always the Other Side, Always”: Women’s Voice and Identity in Rhys’s Wide Sargasso Sea and Kanafani’s Umm Saad
Aya Halabi, An-Najah National University, Palestine
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Philosophy, Ethics, Consciousness
60114
Resilience in Our Hour of Need
Jytte Holmqvist, University of Central Lancashire, United Kingdom
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Film Criticism and Theory
60634
Ethno-cinematographic Rhizomes: Examples From the Independent Cinema of Apichatpong Weerasethakul and Anocha Suwichakornpong
Alvaro Malaina, University Complutense of Madrid, Spain
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